ProductosSillasSillas de oficinaSillonesMesas de comedorMesas de cafeteríaEscritoriosSistemas de mobiliario de oficinasMesas de café y auxiliaresSofásMicro architectureAccesoriosIluminaciónSalónComedorOficina domésticaHabitación infantilExteriorZonas de concentraciónEspacios de trabajoSalas de reunionesTalleresAlexander Girard Antonio CitterioCharles & Ray Eames Barber OsgerbyGeorge NelsonIsamu NoguchiJasper MorrisonJean ProuvéKonstantin GrcicRonan & Erwan BouroullecVerner PantonCuidado & reparaciónProductos de mantenimientoGarantía del fabricanteNuevoBestsellerGift finderOffice chair finderLounge chair finderColores y materialesMikadoColour Frame MirrorsInspiracionesInspiraciones para el hogarEames Shell ChairsJean Prouvé CollectionSilla Standard & Chaise Tout BoisUna casa acogedoraUn hogar con recuerdos que coleccionaConfort y sostenibilidad combinadosLos muebles como parte de la familiaEl arte del verde interiorLiving with EamesColeccionar muebles y arte de épocaViva y trabaje en un oasis urbanoUna nueva vida para una casa GropiusSu hogar ideal en armonía con la naturalezaMagazineHistoriasConversacionesExposiciónDiseñadoresEl Proyecto de VitraShaping the future of energyFrom a toy to an objectWhat would nature doWhy design classics remain relevant, even in the officeA studio visit with Tsuyoshi TaneThe Eames Collection at the Vitra Design MuseumMoments in architectureAbout the partnership between Eames and VitraThe Eames La ChaiseSaul SteinbergTane Garden HouseWhat would Charles and Ray say?The Maison Jean ProuvéDesign is a highly political professionPhilosophy of select and arrangeEl originalHistory of communal workspacesVitra CampusExposicionesVisitas guiadas y talleresGastronomíaShoppingArquitecturaSu eventoPlanificar la visitaVitra Campus appNoticiasVitraHausVitra Design MuseumVitra SchaudepotVitra Circle Store CampusOudolf GartenSobre VitraSostenibilidadJobs & CareersProceso de diseñoEl original es de VitraHistoria - Project VitraProfessionalsClub OfficeCitizen OfficeDynamic SpacesAeroportesHospitalityHealthcareDescargasColores y materialespConEjemplos de planificaciónCertificadosCuidado y mantenimientoNuestros clientesSillas de oficinaDancing OfficeEn defensa de los clásicosConsulting & Planning StudioAl inicio de sesión del distribuidorMikadoTyde 2 con ruedasACXNuestros clientesJoyn 2Abalon
The exhibition "Eames & Hollywood"
Photographs of Charles & Ray Eames in the Art & Design Atomium Museum in Brussels
The exhibition Eames & Hollywood in Brussels presents photographs by Charles & Ray Eames, which were taken on the sets of the American filmmaker Billy Wilder.
The filmmaker Billy Wilder was a long-time friend and collaborator of Charles & Ray Eames. As a present they gave Billy Wilder the very first Eames Lounge Chair & Ottoman, and later they designed the Soft Pad Chaise especially for his needs of a recliner on which he could take brief afternoon naps.
Charles & Ray Eames worked with Billy Wilder on various film-projects. For instance, Billy Wilder collaborated with the two designers on their multiscreen installation ‘Glimpses of the U.S.A.’, which was shown in 1959 at the American National Exhibition in Moscow. Ray Eames designed the opening credits for Wilder’s film ‘Love in the Afternoon’ (1957). And Charles Eames assisted the filmmaker on the sets of various movies, including ‘The Spirit of St. Louis’ (1957), a documentary about the famous aviator Charles Lindbergh. Over the years, Charles & Ray Eames took numerous photographs on location during Hollywood productions. Today these images provide a unique look behind the scenes of American cinema from that era. Charles Eames once said he learned more about architecture from watching Wilder direct than he had anywhere else.
Charles & Ray Eames worked with Billy Wilder on various film-projects. For instance, Billy Wilder collaborated with the two designers on their multiscreen installation ‘Glimpses of the U.S.A.’, which was shown in 1959 at the American National Exhibition in Moscow. Ray Eames designed the opening credits for Wilder’s film ‘Love in the Afternoon’ (1957). And Charles Eames assisted the filmmaker on the sets of various movies, including ‘The Spirit of St. Louis’ (1957), a documentary about the famous aviator Charles Lindbergh. Over the years, Charles & Ray Eames took numerous photographs on location during Hollywood productions. Today these images provide a unique look behind the scenes of American cinema from that era. Charles Eames once said he learned more about architecture from watching Wilder direct than he had anywhere else.
The Art & Design Atomium Museum in Brussels is now mounting the very first presentation of these photographs in the exhibition Eames & Hollywood. The selection primarily consists of images from the Movie-Sets series, a collection of photographs by Charles & Ray Eames taken between 1951 and 1970 on the film sets of Billy Wilder. The exhibition is curated by Alexandra Midal.
The exhibition continues until 4 September 2016.
Publication Date: 5.4.2016
Author: Vitra
Images: © Eames Office, LLC (eamesoffice.com)