ProductsChairsOffice chairsLounge chairsDining tablesCafé tablesDesksOffice furniture systemsCoffee & side tablesSofasMicro architectureAccessoriesLightingLiving roomDining roomHome officeChildren's roomOutdoorFocusWorkspaceMeetingWorkshopAlexander Girard Antonio CitterioCharles & Ray Eames Barber OsgerbyGeorge NelsonIsamu NoguchiJasper MorrisonJean ProuvéKonstantin GrcicRonan & Erwan BouroullecVerner PantonCare & repairCare productsManufacturer warrantyNewBestsellerGift finderOffice chair finderLounge chair finderColour & materialMikadoColour Frame MirrorsInspirations Inspirations for homesJean Prouvé CollectionStandard Chair & Chaise Tout BoisAn open house High comfort of low energyFurniture as part of the familyThe Art of indoor greeneryLiving with EamesCollecting vintage furniture & artLiving & working in an urban oasisA new life for a gropius houseTheir ideal home in touch with natureMagazineStoriesConversationsExhibitionsDesignerProject VitraA 1000 m2 piece of furnitureShaping the future of energyFrom a toy to an objectWhat would nature doWhy design classics remain relevant, even in the officeA studio visit with Tsuyoshi TaneThe Eames Collection at the Vitra Design MuseumMoments in architectureAbout the partnership between Eames and VitraThe Eames La ChaiseSaul SteinbergTane Garden HouseWhat would Charles and Ray say?The Maison Jean ProuvéDesign is a highly political professionPhilosophy of select and arrangeThe OriginalVitra CampusExhibitionsGuided tours & workshopsFood and drinkShoppingArchitectureYou eventPlan your visitVitra Campus appNewsVitraHausVitra Design MuseumVitra SchaudepotVitra Circle Store CampusOudolf GartenAbout VitraSustainabilityJobs & CareersDesign processThe Original is by VitraHistory - Project VitraProfessionalsClub OfficeCitizen OfficeDynamic SpacesAirports HospitalityHealthcareDownloadsColour & materialpConPlanning examplesCertificatesCare & maintenanceOur ClientsOffice chairsDancing OfficeA case for classicsConsulting & Planning StudioTo the dealer loginMikadoTyde 2 on castorsACXOur ClientsJoyn 2Abalon
Biography
Verner Panton, born in Gamtofte, Denmark, studied at Odense Technical College before enrolling at the Royal Danish Academy of Fine Arts in Copenhagen as an architecture student. He worked from 1950-1952 in the architectural firm of Arne Jacobsen and founded an independent studio for architecture and design in 1955. He first attracted wider attention with the geometric forms of his furniture designs for the firm Plus-linje. In the following years Panton created numerous designs for seating furniture and lighting.
‘The main purpose of my work is to provoke people into using their imagination. Most people spend their lives housed in dreary, grey-beige conformity, mortally afraid of using colours.’
Verner Panton
Verner Panton's passion for bright colours and geometric patterns manifested itself in an extensive range of textile designs. By fusing the elements of a room – floor, walls, ceiling, furnishings, lighting, textiles and wall panels made of enamel or plastic – into a unified gesamtkunstwerk, Panton's interior installations have attained legendary status. The most famous examples are the 'Visiona' ship installations for the Cologne Furniture Fair (1968 and 1970), the Spiegel publishing headquarters in Hamburg (1969) and the Varna restaurant in Aarhus (1970).
Panton's collaboration with Vitra began in the early 1960s, when they jointly developed what became his best-known design, the Panton Chair, which was introduced in 1967. This was also the first independently developed product by Vitra.
Verner Panton died in 1998 in Copenhagen. Vitra's re-edition of designs by Panton, as well as the retrospective of his work mounted by the Vitra Design Museum in 2000, bear witness to the special relationship between Vitra and Verner Panton.
Verner Panton died in 1998 in Copenhagen. Vitra's re-edition of designs by Panton, as well as the retrospective of his work mounted by the Vitra Design Museum in 2000, bear witness to the special relationship between Vitra and Verner Panton.