ProductsChairsLounge chairsSofasOffice chairsChaises longuesStools & benchesSculpturesConference chairsAirport seatingStorage spaceMicro architectureDining tablesCafé tablesCoffee & side tablesDesksOffice furniture systemsConference systemsLightingClocksDecorative objectsCoat racks & wall shelvesTrays & vesselsNewBestsellerColour & materialAlexander Girard Antonio CitterioBarber OsgerbyCharles & Ray Eames George NelsonHella JongeriusIsamu NoguchiLounge chair finderOffice chair finderGift finderCare & repairSpare partsCare productsManufacturer warrantyVitra Circle StoresLounge Chair & OttomanHang it allInspirationsLiving roomDining roomHome OfficeChildren's roomOutdoorHome StoriesAugmented RealityColours & materialsHome SelectionWorkspaceFocusMeetingWorkshopClub OfficeCitizen OfficeStudio OfficeDynamic SpacesHospitalityAirportsEducationCo-WorkingHealthcareOur ClientsDestination WorkplaceA case for classicsOffice chairsDancing OfficeHome StoriesThe Home Selection fabrics from Kvadrat and DedarAugmented Reality - bring Vitra products into your homeSchool of Design: Showcase work and knowledgeA case for classicsColour & materialAn open house An office landscape - without walls or partitionsHigh comfort of low energyA leading space for a leading art collegeServicesCare & repairCare productsManufacturer warrantyFAQ and contactInstructionsConsulting & Planning StudioVitra Circle StoresConsulting & planning in the VitraHausInstructionsOutdoor care instructionsRepair, maintenance, overhaul at the Vitra Circle Store Campus ProfessionalsCAD dataProduct factsheetsCertificatesSustainability reportInstructionsEcology informationpConPlanning examplesColour & Material LibraryCertificates and standardsHome SelectionTo the dealer loginOur ClientsMyntDestination Workplace: Visit our clients and partnersAnagram SofaMikadoTyde 2 on castorsACXDancing OfficeOffice chairsMagazineStoriesConversationsExhibitionsDesignerProject VitraA Capsule in TimeSeeing the forest for the treesRefining a classicMynt is a lifetime achievement to meA desk like a typefaceV-FoamSculptural IconsGames bring people together – just like good officesLet there be light!Social SeatingJust Do It!EVER GREENWhy the Eames La Fonda Chair was designedWhen a Sofa is more than just a Sofa: Anagram100% virgin wool – 100% recyclableAn archive is like a time capsuleVitraHaus Loft - A conversation with Sabine MarcelisA 1000 m2 piece of furnitureFrom a toy to an objectThe Eames Collection at the Vitra Design MuseumAbout the partnership between Eames and VitraVitra CampusExhibitionsGuided tours & workshopsFood and drinkShoppingActivities for familiesArchitectureYour eventConsulting & planning in the VitraHausPlan your visitVitra Campus appCampus EventsNewsVitraHausVitra Design MuseumVitra SchaudepotVitra Circle Store CampusOudolf GartenAbout VitraSustainabilityJobs & CareersDesign processThe Original is by VitraHistory - Project Vitra
Christmas in the Eames House
A Vitra Anecdote

On Christmas Eve of 1949, Charles and Ray Eames moved into their newly built house in the Pacific Palisades neighbourhood of Los Angeles. The home that Charles and Ray had designed for themselves created a space where work, play and nature co-existed. Charles explained: ‘The house must make no insistent demands for itself, but rather aid as a background for life in work."

The Eames House was part of the Case Study House program conceived by the magazine Arts & Architecture, which sponsored the design and construction of a range of modern residences as prototypes for mass-produced housing. The idea behind the Eameses’ own house was to use prefabricated industrial components, thereby serving as a model for do-it-yourself modern design. The result was a steel-and-glass structure composed of standardised elements, yet with interior outfittings that gave the home a very personal character.


At a time when most people were busy preparing their annual Christmas dinner, Charles and Ray Eames were starting a new era of their life together, which would prove to be happy and prosperous. During the first hours of Christmas in their new home, the couple suspended oriental paper decorations, colourful toys and musical instruments from the living room ceiling at spacious intervals. On the floor level, Ray Eames decorated the Christmas tree and elevated it on a low table, giving it a floating appearance like the embellishments hanging in the air. Candlesticks and a toy train were arranged around the tree on Japanese mats, and Charles and Ray placed their lovingly wrapped gifts under the tree along with personal notes and decorations.

Charles and Ray Eames’ first Christmas in the Eames House hinted at the richness of the interiors to come. The Eameses regarded their house as a field of experimentation, as a work in progress, and over the years it would be constantly changed and enriched with new decorative elements – artworks, folk art, books and toys in combination with their own furniture designs.


Charles and Ray Eames observed the Christmas holidays every year, always welcoming the opportunity to explore new creative ideas. They were particularly inspired by the reflective surfaces of glass Christmas ornaments, which they captured in several photographs, such as a self-portrait taken by Charles in the living room of the Eames House. A home-made Christmas card to Charles’ mother includes a similar photo of Charles and Ray Eames, who appear to be waving as miniature people from within a transparent Christmas globe adorned with a bow of folded tissue paper.

Later Christmas pictures from the Eames House show how Charles and Ray continued to explore the same theme, year after year, by carefully selecting and arranging appealing objects, candles and wrapped gifts around the Christmas tree.
Publication date: 12.12.2019
Author: Stine Liv Buur
Images: Charles & Ray Eames, Timothy Street-Porter, © Eames Office, LLC