ProductsChairsOffice chairsLounge chairsDining tablesCafé tablesDesksOffice furniture systemsCoffee & side tablesSofasMicro architectureAccessoriesLightingLiving roomDining roomHome officeChildren's roomOutdoorFocusWorkspaceMeetingWorkshopAlexander Girard Antonio CitterioCharles & Ray Eames Barber OsgerbyGeorge NelsonIsamu NoguchiJasper MorrisonJean ProuvéKonstantin GrcicRonan & Erwan BouroullecVerner PantonCare & repairCare productsManufacturer warrantyNewBestsellerGift finderOffice chair finderLounge chair finderColour & materialMikadoColour Frame MirrorsInspirations Inspirations for homesJean Prouvé CollectionStandard Chair & Chaise Tout BoisAn open house High comfort of low energyFurniture as part of the familyThe Art of indoor greeneryLiving with EamesCollecting vintage furniture & artLiving & working in an urban oasisA new life for a gropius houseTheir ideal home in touch with natureMagazineStoriesConversationsExhibitionsDesignerProject VitraShaping the future of energyFrom a toy to an objectWhat would nature doWhy design classics remain relevant, even in the officeA studio visit with Tsuyoshi TaneThe Eames Collection at the Vitra Design MuseumMoments in architectureAbout the partnership between Eames and VitraThe Eames La ChaiseSaul SteinbergTane Garden HouseWhat would Charles and Ray say?The Maison Jean ProuvéDesign is a highly political professionPhilosophy of select and arrangeThe OriginalHistory of communal workspacesVitra CampusExhibitionsGuided tours & workshopsFood and drinkShoppingArchitectureYou eventPlan your visitVitra Campus appNewsVitraHausVitra Design MuseumVitra SchaudepotVitra Circle Store CampusOudolf GartenAbout VitraSustainabilityJobs & CareersDesign processThe Original is by VitraHistory - Project VitraProfessionalsClub OfficeCitizen OfficeDynamic SpacesAirports HospitalityHealthcareDownloadsColour & materialpConPlanning examplesCertificatesCare & maintenanceOur ClientsOffice chairsDancing OfficeA case for classicsConsulting & Planning StudioTo the dealer loginMikadoTyde 2 on castorsACXOur ClientsJoyn 2Abalon
Factory Building
Álvaro Siza, 1994
The large and simple brick building designed by Álvaro Siza is reminiscent of anonymous factory buildings from the 19th century and is extremely unobtrusive in comparison to the other buildings on the grounds. The most eye-catching feature of the building is its curved bridge roof, which connects the building to the neighbouring one. It is so high that it does not obstruct the view of the Fire Station by Zaha Hadid and automatically lowers in rainy weather, thus protecting the logistics vehicles on their way to the Grimshaw building. With its brick facing, Álvaro Siza’s production facility makes reference to the production hall that burned down in 1981.
Architecture tours
Our guides will take you around the Vitra Campus where you can learn exciting details about famous architects, designers, artists and their work here.
More details
About the architect
Álvaro Siza, born in Matosinhos, Portugal, in 1933, studied architecture at the University of Porto. From 1955-58, he collaborated with architect Fernando Tavora. From 1966-69, Álvaro Siza taught at the School of Architecture (ESBAP), as of 1976 he held a professorship in the “Construction” Department. From 1984-92 he was a teacher at the Architecture Faculty in Porto, in 1985 he won a prize in Venice for his design “Campo de Marte“ and as of 1988 he was in charge of reconstructing the old town “Chiado” in Lisbon. In 1992, Álvaro Siza won the Hyatt Foundation’s Pritzker Architecture Prize for his life’s work. He teaches in South America, Japan, Canada, the USA and Europe.
Further Projects for Vitra:
Further Projects for Vitra: