HAL beam seating
Jasper Morrison, 2019
HAL beam seating is a robust solution for all types of waiting areas - from airports, train stations, foyers or lobbies to waiting rooms in a medical practice. Thanks to the understated design of the seat shell, which is moulded from plastic or plywood, HAL beam seating is compatible with many different interior styles.
Seat shell HAL
- Glides: colour matched to the small attachment parts for the seat shell, choice of white (except HAL Wood and HAL Ply Wood) or basic dark. All bases fitted with glides for carpet; felt glides optionally available for hard floors.
- Seat shell: dyed-through polypropylene or plywood.
- Table unit: black solid core material (560 x 430 mm).
- Base: two-legged beam support in different lengths accommodates 2 to 5 chair shells or table units. T-beam with powder-coated finish, aluminium legs. Fitted with plastic glides for carpet or plastic anti-slip glides for hard floors.
'Special is generally less useful than normal': this statement sums up Jasper Morrison's guiding principle for creating designs that are 'super normal' rather than extraordinary, showing deference to the dictates of daily life – just like HAL. As a reinterpretation of the multifunctional shell chair, HAL comprises a versatile seating family with a clean contemporary look. The shape of the seat shell provides great freedom of movement in a variety of sitting positions – even sideways or astride the chair. The 15 different chair bases can be combined with a seat shell in polypropylene (HAL), in plywood (HAL Ply) or with a lightly padded shell covered in leather (HAL Leather). In the versions with a polypropylene shell and powder-coated base, HAL is also suitable for use in outdoor settings. As additional options, a fabric seat cover in various colours is available for all versions of HAL, and models with a plastic seat shell can be outfitted with a fixed seat cushion. The related HAL Armchair rounds out the HAL family.
This product was designed by
Jasper Morrison lives and works in London and Tokyo. His designs are expressions of the ‘super normal’ design philosophy: rather than seeking unusual or extravagant results, he often breathes new life into proven solutions by means of reinterpretation, further development and refinement. He has worked together with Vitra on a regular basis since 1989.
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