ProductosSillasSillonesSofásSillas de oficinaChaises longuesTaburetes y bancosEsculturasSillas de reunionesMobiliario de aeropuertosEspacio de almacenamientoMicro architectureMesas de comedorMesas de cafeteríaMesas de café y auxiliaresEscritoriosSistemas de mobiliario de oficinasSistemas de reunionesIluminaciónRelojesObjetos decorativosPercheros y estantes de paredBandejas y recipientesAlexander Girard Antonio CitterioCharles & Ray Eames Barber OsgerbyGeorge NelsonHella JongeriusIsamu NoguchiJasper MorrisonJean ProuvéKonstantin GrcicRonan & Erwan BouroullecVerner PantonPanter&TourronCuidado & reparaciónProductos de mantenimientoGarantía del fabricanteNuevoBestsellerGift finderOffice chair finderLounge chair finderColores y materialesAnagram SofaVitra CushionsInspiracionesSalónComedorOficina domésticaHabitación infantilExteriorHome StoriesAugmented RealityColores y materialesEspacios de trabajoZonas de concentraciónSalas de reunionesTalleresClub OfficeCitizen OfficeStudio OfficeDynamic SpacesHoteles y restaurantesAeroportesEducaciónCo-WorkingHealthcareNuestros clientesEn defensa de los clásicosSillas de oficinaDancing OfficeHome StoriesAugmented Reality - lleve los productos Vitra a su casaEn defensa de los clásicosColores y materialesUna casa acogedoraUn espacio puntero para una escuela de arte punteraConfort y sostenibilidad combinadosUn paisaje de oficinas sin paredes ni tabiquesServiciosCuidado & reparaciónProductos de mantenimientoGarantía del fabricanteFAQ y contactoInstruccionesInstrucciones para productos anterioresConsulting & Planning StudioAsesoramiento y planificación en la VitraHausInstrucciones de mantenimiento en exterioresReparación, mantenimiento, revisión en el Vitra Circle Store Campus ProfessionalsDatos CADFichas técnicas de productosCertificadosFolletosInforme de sostenibilidadInstruccionesInformación ecológicapConEjemplos de planificaciónColores y materialesCertificados y normasAl inicio de sesión del distribuidorNuestros clientesAnagram SofaMikadoTyde 2 con ruedasACXDancing OfficeSillas de oficinaMagazineHistoriasConversacionesExposiciónDiseñadoresEl Proyecto de VitraJust Do It!EVER GREENWhy the Eames La Fonda Chair was designedWhen a Sofa is more than just a Sofa: Anagram100% virgin wool – 100% recyclableAn archive is like a time capsuleVitraHaus Loft - A conversation with Sabine MarcelisWalking the talkA 1000 m2 piece of furnitureFrom a toy to an objectA studio visit with Tsuyoshi TaneThe Eames Collection at the Vitra Design MuseumAbout the partnership between Eames and VitraVitra CampusExposicionesVisitas guiadas y talleresGastronomíaShoppingActividades en familiaArquitecturaSu eventoPlanificar la visitaVitra Campus appCampus EventsNoticiasVitraHausVitra Design MuseumVitra SchaudepotVitra Circle Store CampusOudolf GartenSobre VitraSostenibilidadJobs & CareersProceso de diseñoEl original es de VitraHistoria - Project Vitra
What is Colour?
by Verner Panton
© Verner Panton Design AG
"Choosing Colours should not be a gamble. It should be a conscious decision. Colours have meaning and function," says Verner Panton. In the book "Notes on Colour", the Danish designer collects his ideas and thoughts on colours. An extract.
"Colours are a subjective, physical perception – they really don’t exist at all. Yellow is yellow only in our thoughts. It is only the function of our eyes that creates colours. Everything in our surroundings has a color – only water (distilled) and schnapps are colourless!"
© Verner Panton Design AG
"Colourless is only what light can penetrate completely. A colour has its origin in the purely physical world. It originates in light rays being reflected from or penetrating a substance. The things we see get their colour and appearance from rays of light.
The rays of light hit an object, are reflected by or penetrate it and are picked up by the eye, Some of them are absorbed by the object thus changing the intensity and composition of the reflecting or penetrating light."
"Colourless is only what light can penetrate completely. A colour has its origin in the purely physical world. It originates in light rays being reflected from or penetrating a substance. The things we see get their colour and appearance from rays of light.
The rays of light hit an object, are reflected by or penetrate it and are picked up by the eye, Some of them are absorbed by the object thus changing the intensity and composition of the reflecting or penetrating light."
© Verner Panton Design AG
© Verner Panton Design AG
"The perception of colour depends on the source of the light. The sun is our most important source of light. Daylight is rich in blue tones. In contrast the standard light bulb does not contain much blue or violet but has a great deal of yellow, orange and red. Sunlight has a more golden tone. When it falls on fresh snow it looks more yellowish while fresh ski tracks cast a blue shadow because of the pure light from the sky."
© Verner Panton Design AG
"Textiles seem to have different shades of colour by daylight and by lamplight. A scarlet material seem to be intensely red by lamplight and bluish in daylight. A blue-green material seems less blue by lamplight than daylight. When an object reflects more than 80-90% of the light falling on it we perceive it as white. When it absorbs more than 95% of the light it appears black."
"Textiles seem to have different shades of colour by daylight and by lamplight. A scarlet material seem to be intensely red by lamplight and bluish in daylight. A blue-green material seems less blue by lamplight than daylight. When an object reflects more than 80-90% of the light falling on it we perceive it as white. When it absorbs more than 95% of the light it appears black."
Publication date: 8.6.2017
Author: Verner Panton. From "Verner Panton: Notes on Colour". Danish Design Center; Copenhagen; 1991.
Images: © Verner Panton Design AG