製品チェアラウンジチェアソファオフィスチェアシェーズロングスツール・ベンチ彫刻的家具ミーティングチェアエアポートベンチ収納システム家具テーブルカフェテーブルローテーブルデスクデスクシステムミーティングテーブル照明時計オブジェコートラック・壁付け棚トレー・ボウル・カップ新作ベストセラーカラー & マテリアルVitra Online Shop →アレキサンダー・ジラードアントニオ・チッテリオバーバー・オズガビーチャールズ & レイ・イームズジョージ・ネルソンヘラ・ヨンゲリウスイサム・ノグチラウンジチェア ファインダーギフト ファインダーオフィスチェア ファインダー修理・メンテナンススペアパーツお手入れ方法製品保証プログラムVitra Circle StoresMynt: sit differentlyAntony Limited Edition 2025事例リビングルームダイニングルームホームオフィスキッズルームアウトドアホーム ストーリーARシミュレーションカラー & マテリアルHome Selectionワークスペースフォーカスミーティングワークショップクラブ オフィスシティズン オフィススタジオ オフィスダイナミック スペースホスピタリティ空港教育施設コワーキング医療施設クライアント事例Destination WorkplaceA case for classicsオフィスチェアDancing Officeホーム ストーリーThe Home Selection fabrics from Kvadrat and DedarARシミュレーションSchool of Design: Showcase work and knowledgeA case for classicsカラー & マテリアルAn open house An office landscape - without walls or partitionsHigh comfort of low energyA leading space for a leading art collegeサービス修理・メンテナンスお手入れ方法製品保証プログラムお問い合わせ組立・取扱説明書コンサルティング & プランニングVitra Circle StoresConsulting & planning in the VitraHausInstructionsOutdoor care instructionsRepair, maintenance, overhaul at the Vitra Circle Store Campus プロ向けCAD データ製品情報証明書サステイナビリティ レポート組立・取扱説明書環境情報pConプランニング例カラー & マテリアル証明書Home Selectionディーラー専用サイトクライアント事例MyntDestination Workplace: Visit our clients and partnersAnagram SofaMikadoTyde 2 on castorsACXDancing Officeオフィスチェアマガジンストーリーインタビュー展覧会デザイナープロジェクト ヴィトラA Capsule in TimeSeeing the forest for the treesRefining a classicMynt is a lifetime achievement to meまるでタイポグラフィのようなV-Foamデザインアイコンたち人と人を繋ぐオフィスLet there be light!ソーシャル シーティングJust Do It!EVER GREENWhy the Eames La Fonda Chair was designedWhen a Sofa is more than just a Sofa: Anagram100% ヴァージンウール – 100% リサイクル可能アーカイブはまるでタイムカプセル「ヴィトラハウス」ロフト - サビーネ・マルセリスとの対話1000 m2 の家具おもちゃから生まれた鏡試行錯誤 - イームズ アーカイブ コレクションヴィトラとイームズヴィトラ キャンパス展覧会ガイドツアー・ワークショップカフェ・デリショップアクティビティ建築イベントConsulting & planning in the VitraHausサービス案内アプリイベントニュースVitaHaus / ヴィトラハウスVitra Design Museum / ヴィトラ デザイン ミュージアムVitra Schaudepot / ヴィトラ シャウデポVitra Circle Store Campusアウドルフ ガーデンヴィトラとはサステイナビリティJobs & CareersDesign processThe Original is by VitraHistory - Project VitraVitra Online Shop
What is Colour?
by Verner Panton

"Choosing Colours should not be a gamble. It should be a conscious decision. Colours have meaning and function," says Verner Panton. In the book "Notes on Colour", the Danish designer collects his ideas and thoughts on colours. An extract.
"Colours are a subjective, physical perception – they really don’t exist at all. Yellow is yellow only in our thoughts. It is only the function of our eyes that creates colours. Everything in our surroundings has a color – only water (distilled) and schnapps are colourless!"
© Verner Panton Design AG
"Colourless is only what light can penetrate completely. A colour has its origin in the purely physical world. It originates in light rays being reflected from or penetrating a substance. The things we see get their colour and appearance from rays of light.
The rays of light hit an object, are reflected by or penetrate it and are picked up by the eye, Some of them are absorbed by the object thus changing the intensity and composition of the reflecting or penetrating light."
"Colourless is only what light can penetrate completely. A colour has its origin in the purely physical world. It originates in light rays being reflected from or penetrating a substance. The things we see get their colour and appearance from rays of light.
The rays of light hit an object, are reflected by or penetrate it and are picked up by the eye, Some of them are absorbed by the object thus changing the intensity and composition of the reflecting or penetrating light."


"The perception of colour depends on the source of the light. The sun is our most important source of light. Daylight is rich in blue tones. In contrast the standard light bulb does not contain much blue or violet but has a great deal of yellow, orange and red. Sunlight has a more golden tone. When it falls on fresh snow it looks more yellowish while fresh ski tracks cast a blue shadow because of the pure light from the sky."
© Verner Panton Design AG
"Textiles seem to have different shades of colour by daylight and by lamplight. A scarlet material seem to be intensely red by lamplight and bluish in daylight. A blue-green material seems less blue by lamplight than daylight. When an object reflects more than 80-90% of the light falling on it we perceive it as white. When it absorbs more than 95% of the light it appears black."
"Textiles seem to have different shades of colour by daylight and by lamplight. A scarlet material seem to be intensely red by lamplight and bluish in daylight. A blue-green material seems less blue by lamplight than daylight. When an object reflects more than 80-90% of the light falling on it we perceive it as white. When it absorbs more than 95% of the light it appears black."
Publication date: 8.6.2017
Author: Verner Panton. From "Verner Panton: Notes on Colour". Danish Design Center; Copenhagen; 1991.
Images: © Verner Panton Design AG