ProductenStoelenLoungestoelenSofa'sBureaustoelenChaises longuesKrukken en bankenSculpturenVergader-/bezoekerstoelZitmeubels voor luchthavensBergruimteMicro architectureEettafelsCafétafelsKoffie- en bijzettafelsBureausKantoormeubelsystemenVergadersystemenVerlichtingKlokkenDecoratieve objectenKapstokken & wandrekkenSchalen en vazenNieuwBestsellerSnel beschikbaarKleuren & materialenAlexander Girard Antonio CitterioBarber OsgerbyCharles & Ray Eames George NelsonHella JongeriusIsamu NoguchiLounge chair finderOffice chair finderGift finderOnderhoud & reparatieReserveonderdelenOnderhoudsproductenFabrieksgarantieprogrammaVitra Circle StoresVitra Circle for Contract (Zakelijke klanten)Lounge Chair & OttomanHang it allInspiratiesWoonkamerEetkamerThuiskantoorKinderkamerOutdoorHome StoriesAugmented RealityKleuren & materialenHome SelectionWerkplekkenFocusMeetingWorkshopClub OfficeCitizen OfficeStudio OfficeDynamic SpacesReceptieruimteLuchthavensOnderwijsCo-WorkingHealthcareOnze klantenDestination WorkplaceKlassiekers, een klasse apartBureaustoelenDancing OfficeHome StoriesDe Home Selection stoffen van Kvadrat en DedarAugmented Reality - breng Vitra-producten bij je thuisSchool of Design: Toon werk en kennisKlassiekers, een klasse apartKleuren & materialenEen uitnodigend huisEen kantoorlandschap - zonder muren of scheidingswandenComfort & duurzaamheid gecombineerdEen toonaangevende ruimte voor een toonaangevende kunstacademieDienstenOnderhoud & reparatieReserveonderdelenOnderhoudsproductenFabrieksgarantieprogrammaFAQ en contactHandleidingenConsulting & Planning StudioVitra Circle StoresVitra Circle for ContractAdvies & planning in het VitraHausHandleidingenOnderhoudsinstructies voor buitenReparatie, onderhoud, revisie op de Vitra Circle Store Campus ProfessionalsCAD-gegevensProduct Data SheetsCertificatenDuurzaamheidsverslagHandleidingenMilieu-informatiepConPlanningsvoorbeeldenColour & Material LibraryCertificaten en normenHome SelectionNaar de dealer loginOnze klantenMyntDestination Workplace: Bezoek onze klanten en partners.Anagram SofaMikadoTyde 2 op wieltjesACXDancing OfficeBureaustoelenMagazineVerhalenGesprekkenTentoonstellingenOntwerpersProject VitraA Capsule in TimeSeeing the forest for the treesRefining a classicMynt is a lifetime achievement to meA desk like a typefaceV-FoamSculptural IconsGames bring people together – just like good officesLet there be light!Social SeatingJust Do It!EVER GREENWhy the Eames La Fonda Chair was designedWhen a Sofa is more than just a Sofa: Anagram100% virgin wool – 100% recyclableAn archive is like a time capsuleVitraHaus Loft - A conversation with Sabine MarcelisA 1000 m2 piece of furnitureFrom a toy to an objectThe Eames Collection at the Vitra Design MuseumAbout the partnership between Eames and VitraVitra CampusExpositiesRondleidingen en workshopsGastronomieShoppingGezinsactiviteitenArchitectuurUw evenementAdvies & planning in het VitraHausPlan je bezoekVitra Campus appCampus EventsNieuwsVitraHausVitra Design MuseumVitra SchaudepotVitra Circle Store CampusOudolf GartenOver VitraDuurzaamheidJobs & CareersOntwerpprocesHet origineel komt van VitraGeschiedenis - Project Vitra
What is Colour?
by Verner Panton

"Choosing Colours should not be a gamble. It should be a conscious decision. Colours have meaning and function," says Verner Panton. In the book "Notes on Colour", the Danish designer collects his ideas and thoughts on colours. An extract.
"Colours are a subjective, physical perception – they really don’t exist at all. Yellow is yellow only in our thoughts. It is only the function of our eyes that creates colours. Everything in our surroundings has a color – only water (distilled) and schnapps are colourless!"
© Verner Panton Design AG
"Colourless is only what light can penetrate completely. A colour has its origin in the purely physical world. It originates in light rays being reflected from or penetrating a substance. The things we see get their colour and appearance from rays of light.
The rays of light hit an object, are reflected by or penetrate it and are picked up by the eye, Some of them are absorbed by the object thus changing the intensity and composition of the reflecting or penetrating light."
"Colourless is only what light can penetrate completely. A colour has its origin in the purely physical world. It originates in light rays being reflected from or penetrating a substance. The things we see get their colour and appearance from rays of light.
The rays of light hit an object, are reflected by or penetrate it and are picked up by the eye, Some of them are absorbed by the object thus changing the intensity and composition of the reflecting or penetrating light."


"The perception of colour depends on the source of the light. The sun is our most important source of light. Daylight is rich in blue tones. In contrast the standard light bulb does not contain much blue or violet but has a great deal of yellow, orange and red. Sunlight has a more golden tone. When it falls on fresh snow it looks more yellowish while fresh ski tracks cast a blue shadow because of the pure light from the sky."
© Verner Panton Design AG
"Textiles seem to have different shades of colour by daylight and by lamplight. A scarlet material seem to be intensely red by lamplight and bluish in daylight. A blue-green material seems less blue by lamplight than daylight. When an object reflects more than 80-90% of the light falling on it we perceive it as white. When it absorbs more than 95% of the light it appears black."
"Textiles seem to have different shades of colour by daylight and by lamplight. A scarlet material seem to be intensely red by lamplight and bluish in daylight. A blue-green material seems less blue by lamplight than daylight. When an object reflects more than 80-90% of the light falling on it we perceive it as white. When it absorbs more than 95% of the light it appears black."
Publication date: 8.6.2017
Author: Verner Panton. From "Verner Panton: Notes on Colour". Danish Design Center; Copenhagen; 1991.
Images: © Verner Panton Design AG