ProductosSillasSillonesSofásSillas de oficinaChaises longuesTaburetes y bancosEsculturasSillas de reunionesMobiliario de aeropuertosEspacio de almacenamientoMicro architectureMesas de comedorMesas de cafeteríaMesas de café y auxiliaresEscritoriosSistemas de mobiliario de oficinasSistemas de reunionesIluminaciónRelojesObjetos decorativosPercheros y estantes de paredBandejas y recipientesNuevoBestsellerColores y materialesAlexander Girard Antonio CitterioBarber OsgerbyCharles & Ray Eames George NelsonHella JongeriusIsamu NoguchiLounge chair finderOffice chair finderGift finderCuidado & reparaciónPiezas de repuestoProductos de mantenimientoGarantía del fabricanteVitra Circle StoresLounge Chair & OttomanHang it allInspiracionesSalónComedorOficina domésticaHabitación infantilExteriorHome StoriesAugmented RealityColores y materialesHome SelectionEspacios de trabajoZonas de concentraciónSalas de reunionesTalleresClub OfficeCitizen OfficeStudio OfficeDynamic SpacesHoteles y restaurantesAeroportesEducaciónCo-WorkingHealthcareNuestros clientesDestination WorkplaceEn defensa de los clásicosSillas de oficinaDancing OfficeHome StoriesLos tejidos de Kvadrat y Dedar de Home SelectionAugmented Reality - lleve los productos Vitra a su casaEscuela de Diseño : Exponer el trabajo y los conocimientosEn defensa de los clásicosColores y materialesUna casa acogedoraUn paisaje de oficinas sin paredes ni tabiquesConfort y sostenibilidad combinadosUn espacio puntero para una escuela de arte punteraServiciosCuidado & reparaciónProductos de mantenimientoGarantía del fabricanteFAQ y contactoInstruccionesConsulting & Planning StudioVitra Circle StoresAsesoramiento y planificación en la VitraHausInstruccionesInstrucciones de mantenimiento en exterioresReparación, mantenimiento, revisión en el Vitra Circle Store Campus ProfessionalsDatos CADFichas técnicas de productosCertificadosInforme de sostenibilidadInstruccionesInformación ecológicapConEjemplos de planificaciónColores y materialesCertificados y normasHome SelectionAl inicio de sesión del distribuidorNuestros clientesMyntDestination Workplace: Ven a visitar a nuestros clientes y sociosAnagram SofaMikadoTyde 2 con ruedasACXDancing OfficeSillas de oficinaMagazineHistoriasConversacionesExposiciónDiseñadoresEl Proyecto de VitraA Capsule in TimeSeeing the forest for the treesRefining a classicMynt is a lifetime achievement to meA desk like a typefaceV-FoamSculptural IconsGames bring people together – just like good officesLet there be light!Social SeatingJust Do It!EVER GREENWhy the Eames La Fonda Chair was designedWhen a Sofa is more than just a Sofa: Anagram100% virgin wool – 100% recyclableAn archive is like a time capsuleVitraHaus Loft - A conversation with Sabine MarcelisA 1000 m2 piece of furnitureFrom a toy to an objectThe Eames Collection at the Vitra Design MuseumAbout the partnership between Eames and VitraVitra CampusExposicionesVisitas guiadas y talleresGastronomíaShoppingActividades en familiaArquitecturaSu eventoAsesoramiento y planificación en la VitraHausPlanificar la visitaVitra Campus appCampus EventsNoticiasVitraHausVitra Design MuseumVitra SchaudepotVitra Circle Store CampusOudolf GartenSobre VitraSostenibilidadJobs & CareersProceso de diseñoEl original es de VitraHistoria - Project Vitra
The Kazam! Machine
A Vitra Anecdote

In 1941 Charles and Ray Eames turned their LA apartment into a workshop. The Kazam! machine, a DIY-device for moulding plywood, was the key to the creation of the Plywood Group, chairs made from plywood shells with compound curves.
In their quest to find a way to mould plywood three-dimensionally in order to produce low-cost chairs – as well as sculptures, aircraft parts, leg splints and children’s furniture and toys – Charles and Ray Eames were relentless. During their first years in Los Angeles, in the beginning of the 1940s, the young design couple worked at home, where they set up an ad hoc workshop in the guest room. Before long, this workshop had expanded from the bedroom to the kitchen. Their greatest concern at the time was the development of the capacity to apply pressure to plywood without breaking it.
"Ala Kazam! – like magic."
After various failures, they eventually created a home-made apparatus for bending wood, a kind of curing oven made from wood scraps and spare bicycle parts. They called it the Kazam! machine. Made of a hinged and bolted curving plaster mould, the Kazam! machine allowed them to create a glued sandwich consisting of several layers of veneer, which was then pushed against the plaster mould by a membrane which, in its turn, was manually inflated by a bicycle pump. But the heated mould, with energy-hungry electrical coils running through it, required a lot more current than their home circuit could provide. So Charles climbed up a nearby power pole, carrying a large piece of heavy insulated cable, in order to poach enough electricity to run the Kazam! machine. Charles was afraid that he would electrocute himself. Luckily, he survived, and in the spring of 1945 the Eames succeeded in creating the Plywood Chair LCW (Lounge Chair Wood) made from plywood shells with compound curves. It was the beginning of the Plywood Group.

The Victoria & Albert Museum in London is currently hosting an exhibition that explores the history and production of plywood. Exhibits include prototypes by Charles and Ray Eames, Alvar Aalto and many other designers. More information
More information on the topic of Eames furniture is found in the "Eames Furniture Sourcebook" and “Essential Eames”, two new publications by the Vitra Design Museum, available in German and English editions from booksellers or directly from the VDM publishing house.
Publication date: 02.08.17; first published on 01.09.14
Author: Anniina Koivu
Image: © Eames Office, LLC