ProductsチェアオフィスチェアラウンジチェアDining tablesCafé tablesデスクオフィス家具システムサイドテーブルソファシステム家具アクセサリー照明リビングルームダイニングルームホームオフィスこども部屋アウトドアFocusWorkspaceMeetingWorkshopAlexander Girard Antonio CitterioCharles & Ray Eames Barber OsgerbyGeorge NelsonIsamu NoguchiJasper MorrisonJean ProuvéKonstantin GrcicRonan & Erwan BouroullecVerner PantonCare & repairお手入れ方法製品保証プログラムNewBestsellerGift finderオフィスチェアファインダーLounge chair finderColour & materialMikadoColour Frame MirrorsInspirations Inspirations for homesJean Prouvé CollectionStandard Chair & Chaise Tout BoisAn open house High comfort of low energy家具は家族の一員のような存在 グリーンのアートLiving with EamesCollecting vintage furniture & artLiving & working in an urban oasisヴァルター・グロピウス建築の家での暮らしTheir ideal home in touch with natureMagazineStoriesConversationsExhibitionsDesignerプロジェクト ヴィトラShaping the future of energyおもちゃから生まれた鏡自然の行く末「クラシックな名作」が現代のオフィスに合う理由田根剛による展覧会試行錯誤 - イームズ アーカイブ コレクション建築、その瞬間ヴィトラとイームズラ シェーズソール・スタインバーグTane Garden Houseチャールズとレイなら何と言うだろう?プルーヴェ ハウスデザインの力と責任セレクト&アレンジの美学オリジナル・本物とはHistory of communal workspacesVitra CampusExhibitionsGuided tours & workshopsFood and drinkShoppingArchitectureYour eventPlan your visitVitra Campus appNewsVitaHaus / ヴィトラハウスVitra Design Museum / ヴィトラ デザイン ミュージアムVitra Schaudepot / ヴィトラ シャウデポVitra Circle Store Campusアウドルフ ガーデンAbout VitraサステイナビリティJobs & CareersDesign processThe Original is by VitraHistory - Project VitraProfessionalsClub OfficeCitizen OfficeDynamic SpacesAirports HospitalityHealthcareDownloadsColour & materialpConPlanning examplesCertificatesCare & maintenanceOur ClientsOffice chairsDancing OfficeA case for classicsConsulting & Planning StudioTo the dealer loginMikadoTyde 2 on castorsACXOur ClientsJoyn 2AbalonOnline Shop
German Design 1949–1989
Two Countries, One History
New Exhibition at the Vitra Design Museum
1
More than thirty years after the fall of the Berlin Wall, the Vitra Design Museum presents the first panoramic overview of post-war design in the two Germanies. From 20 March to 5 September 2021, the exhibition »German Design 1949–1989: Two Countries, One History« will offer a comparative selection of design from East and West Germany and explore ideological and aesthetic differences as well as parallels and interrelations between East and West.
More than thirty years after the fall of the Berlin Wall, the Vitra Design Museum presents the first panoramic overview of post-war design in the two Germanies. From 20 March to 5 September 2021, the exhibition »German Design 1949–1989: Two Countries, One History« will offer a comparative selection of design from East and West Germany and explore ideological and aesthetic differences as well as parallels and interrelations between East and West.
2
German design was put on the map in the 1920s by the Bauhaus school and the Werkbund association. After the division of Germany in 1949, design and everyday culture, too, went their separate ways on both sides of the border. In the West, design became a driving force in the »Wirtschaftswunder«, or economic miracle, while in the East it was absorbed into the socialist planned economy. More than thirty years after the fall of the Berlin Wall, the Vitra Design Museum presents the first panoramic overview of post-war design in the two Germanies. From 20 March to 5 September 2021, the exhibition »German Design 1949–1989: Two Countries, One History« will offer a comparative selection of design from East and West Germany and explore ideological and aesthetic differences as well as parallels and interrelations between East and West. Exhibits range from iconic pieces of furniture and lamps to graphic, industrial, and interior design to fashions, textiles, and personal ornaments.
German design was put on the map in the 1920s by the Bauhaus school and the Werkbund association. After the division of Germany in 1949, design and everyday culture, too, went their separate ways on both sides of the border. In the West, design became a driving force in the »Wirtschaftswunder«, or economic miracle, while in the East it was absorbed into the socialist planned economy. More than thirty years after the fall of the Berlin Wall, the Vitra Design Museum presents the first panoramic overview of post-war design in the two Germanies. From 20 March to 5 September 2021, the exhibition »German Design 1949–1989: Two Countries, One History« will offer a comparative selection of design from East and West Germany and explore ideological and aesthetic differences as well as parallels and interrelations between East and West. Exhibits range from iconic pieces of furniture and lamps to graphic, industrial, and interior design to fashions, textiles, and personal ornaments.
3 - 5
Cheap plastic and shrill colours in the East, cool functionalism in the West – the exhibition breaks with simplistic stereotypes and presents a differentiated view. Legendary automobiles like the »Trabant« (1958) and coveted everyday items like the radio-phono-combo ironically nicknamed »Snow White’s Coffin« (1956) will be on display alongside new discoveries and rare objects such as Luigi Colani’s sculptural loop chair »Poly-COR« (1968). The exhibition introduces important figures including Dieter Rams, Egon Eiermann, Rudolf Horn, and Margarete Jahny while also highlighting the role of design schools and the Bauhaus legacy. Its broad panorama of design from the two Germanies illustrates how closely intertwined design and history, everyday culture and world politics were in Germany during the Cold War period.
Cheap plastic and shrill colours in the East, cool functionalism in the West – the exhibition breaks with simplistic stereotypes and presents a differentiated view. Legendary automobiles like the »Trabant« (1958) and coveted everyday items like the radio-phono-combo ironically nicknamed »Snow White’s Coffin« (1956) will be on display alongside new discoveries and rare objects such as Luigi Colani’s sculptural loop chair »Poly-COR« (1968). The exhibition introduces important figures including Dieter Rams, Egon Eiermann, Rudolf Horn, and Margarete Jahny while also highlighting the role of design schools and the Bauhaus legacy. Its broad panorama of design from the two Germanies illustrates how closely intertwined design and history, everyday culture and world politics were in Germany during the Cold War period.
6 - 7
The exhibition will open with an Online Opening on 19 March 2021.
The Online Opening Days will take place from 19 March to 8 April 2021.
Duration: 20 March to 5 September 2021
Curators: Erika Pinner, Vitra Design Museum. Klára Němečková, Kunstgewerbemuseum. Staatliche Kunstsammlungen Dresden.
Assistant curators: Mea Hoffmann, Isabelle Schorer, Vitra Design Museum.
The exhibition will open with an Online Opening on 19 March 2021.
The Online Opening Days will take place from 19 March to 8 April 2021.
Duration: 20 March to 5 September 2021
Curators: Erika Pinner, Vitra Design Museum. Klára Němečková, Kunstgewerbemuseum. Staatliche Kunstsammlungen Dresden.
Assistant curators: Mea Hoffmann, Isabelle Schorer, Vitra Design Museum.
Publication date: 18.3.2021
Images: 1. Daniel Streat, Visual Fields; 2. © Tim Wegner / laif; 3, 5, 6. Jürgen Hans; 4. © Rosenthal GmbH und Historisches Fotoarchiv des Rat für Formgebung, Frankfurt am Main; 7. Ewald Gnilka; 8. Gunter Binsack