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Amoebe / アムーべ

Verner Panton, 1970

ヴァーナー・パントンによってデザインされた「アムーベ」は、有機的で独特のフォルムが特徴のラウンジチェアです。ゆるやかな曲線を描いた輪郭で、柔らかいクッションをまとい、座る人を優しく包み込みます。張地は豊富なカラーバリエーションを取り揃えており、ロビーやラウンジを鮮やかに彩ります。

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New materials & colours

In addition to the classic Tonus fabric, Vitra now offers Amoebe in a selection of additional fabrics: Cosy 2 and Volo are suitable for areas subject to intensive use, and Cento and Hola are also very durable – while Tonus is recommended for residential settings only. Depending on the fabric and colour, Amoebe takes on a different character, allowing it to be configured for a wide range of environments. The covers are removable and can be replaced or refitted by trained professionals.

インフォメーション

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プロダクトファミリー

Amoebe

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The Amoebe chair was created in 1970 in several versions for Verner Panton's celebrated installation 'Visiona II' – a bold, psychedelic-futuristic living environment staged by the legendary Danish architect and designer on an exhibition ship at the Cologne Furniture Fair. Conceived as a low-slung lounge sculpture, Amoebe embodies the free-spirited ethos of 1960s design. The seat and backrest form a sculptural unity, and the organic shape – as the name suggests – is inspired by single-celled organisms. The chair's soft upholstery provides excellent comfort. In the Amoebe Highback version, the extended backrest curves over the head of the sitter to create a niche-like canopy. This striking feature gives the iconic chair a sense of shelter, seclusion, and privacy. The handcrafted Amoebe and Amoebe Highback chairs are available in a variety of fabrics and colours, making it easy to find the right chair for any environment. The covers are removable and can be replaced or refitted by trained professionals.

デザイナー紹介

Verner Panton

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Verner Panton was an influential figure in the world of design during the 1960s and 1970s. After moving to Switzerland in the early 1960s, the Danish-born architect and designer became known for his bold and inventive concepts for interiors, furnishings, lighting and textiles. The masterful use of colour was a defining hallmark of his work.